Quill pen has been used from the Medieval Era and far beyond.
It was mainly made of feather of porcupine with plume trimmed off. The
simplest set of a sharp knife and a quill were only tools for its production
and maintenance.
Tip
of a quill is cut in a form of two-sided blade. On either side of cuts,
split (called "slit") is made in order that quill absorbs
ink through hollow inside and spreads ink out between cuts of slit.
The sharpend tip of a quill with slit is called a nib, the design of
which contiued as the development of modern fountain pens and catridge
pens.
Even as a quill pen breaks and wears out it can be resharpened hundreds
times by cutting corners of quill away on the either side of slit.
How quill pen is held at an angle, in repect to the bottom of desk,
produces distinctive upstroke and downstroke of letters and creates
various fonts.
In modern era, quill pen has been replaced by steel nibbed pen for greater
durability.
Western calligraphy used parchment and vellum made from animal skins,
for parchment and vellum have good durability.
Strictly speaking, vellum is a finer quality of parchment prepared
from calf-skins, but the terms have been interchangeably used since
the Medieval Era.
Early scribes used papyrus and around 4th century parchment codex replaced
papyrus scroll. Around 5-17th century, recycled parchments were used
by shaving old manuscripts on them. The recycled parchment, palimpsests,
was replaced around 13th century by what was close to modern paper.
Western calligraphers have used various sources of ink from ancient
pigment binding ink and dye-ink to modern chemical precipitation. A
gouache is opaque water-coloring paint similar to Asian or Indian ink.
Most of fountain pens use dye-ink and most of modern calligraphic artist
are working with chemical precipitation such as ferro-gallic or iron
gall inks.
Ferro-gallic ink is a very durable type of ink that consists of gallic
acid, iron sulfate and a binder usually such as gum Arabic. Its name
was originated from oak galls used as a source of tannin.
Referred from:
-Dianne Tillotson : http://medievalwriting.50megs.com/writing.htm
-Online directory of History.uk.com : http://www.history.uk.com/calligraphy
-Jackson, D. 1981 The Story of Writing London: Studio Vista
-18th Century Copperplate by Sherwood Carter
http://www.6nc.org/about6nc/copperplate.html
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